Jewel Box

by Marimar McNaughton
September 2008

By day, sun-kissed views of the water float across a plane of faceted glass through floor-to-ceiling windows greeting the Wilsons in their private courtyard. In the twilight, views of the house are illuminated in the lakes glassy surface.

"I think he just wanted to channel our vision," John Wilson says, standing within the courtyard, where the mirrored images of night and day are reflected in the lap pool.

Flanked by low walls and east and west wings that buffer the Wilsons primary living areas, the architects clever conundrum both a puzzle and a solution smudges the lines between formal and informal, indoors and outside, framing the natural beauty of the site while judiciously screening the Wilsons contemporary home from its tightly knit traditional neighbors. As soon as Pamela Kerstings landscape design matures, the surrounding built-environment will vanish behind a screen of black bamboo.

The Wilsons, who are New Jersey natives, imported their cultivated palate for contemporary architecture to North Carolinas Cape Fear region three years ago when they relocated to Wilmington, though they had previously purchased their Landfall lot in 2001, and eventually chose Kersting from a list of registered architects.

"We didn't come to Michael wanting to do a contemporary house," John says, "but we knew how we lived and how we wanted the interior layout."

"After we saw the design we were sold," Roberta says.

With interior pocket doors, Kersting created three interior venues: the central cooking, dining and entertaining area; the master wing with bath, laundry and library; and the guest wing with a pair of suites and a shared bath. At 2,550 square feet, its a simple house for two people, and occasionally their guests.

By grading the lot from sea level to 3 feet, Kersting was able to provide enough depth for a swimming pool in the courtyard and the height required for the sunken living room. Using the same material for the exterior foundation as he used for the interior finish, he reveals the construction of the house from the inside out, and elevates the awareness of the design process.

"Ive been on this quest for a long time," Kersting says, explaining the duality of structural finish materials: The foundation block that functions seamlessly as a base that supports the walls is also a retainer for the soil where the grade was elevated, an outdoor planter and an interior surface crossed on foot at the threshold.

The exoskeleton, a lapstrake siding that is a Kersting trademark, is carried from the exterior walls into the interior halls. He calls it "peeling back the veil; a game Ive played for a lot of different projects."

A reverse gable that bisects the central living area exposing the interior ceiling as ribbing on a ship diverts the flow of rainwater from the inverted slope of the roof to the ground level, where a decorative French drain of arranged stones will soon blend into the plantscape. The roof, which adds a new dimension to the exterior appearance of the house and defines the interior space, has become a recurring design motif throughout the home. Kersting, who always names his pet projects, calls this one "The Dragonfly."

Informal entry is made beneath a perforated canopy that straddles the width of the courtyard at the gated fence. On the east wing, risers guide newcomers toward the formal entry, past a glazed facade, where guest rooms have private access to the courtyard, cabana style. In the foyer, a kiln-formed glass vase that the Wilsons acquired in Hawaii and a stained-glass piece, designed by Kersting and fabricated by homeowner John Wilson, reiterate the geometry of the house.

Interior woods, anigre and mahogany, complement the Brazilian cherry and travertine tile floors and the polished concrete masonry foundation. Splashes of color brushed silver metallic ceramic tile backsplash and a dill pickle green tint in the kitchen, and cobalt-glass pendants and aqua leather banquettes in the dining area brighten the monochromatic palette.

The kitchen is user-friendly, with the cabinets installed beneath absolute black granite counters. Built-in open bookshelves and wine storage fabricated from anigre subtly delineate food and beverage preparation from service through a perforation in the wall space that links the kitchen with the living room.

With the west wing doors sealed, the living room enclosure feels like a grand hall, an exclusive salon appointed with Le Corbusier-upholstered leather and chrome club chairs and a pair of blonde leather divans furnished with bolsters, where lively conversation and laughter ring throughout, and lofty thoughts are exchanged against the backdrop of leather-bound books, in front of the flat screen television and the gas-lit fireplace.

Introducing warmth and the supple curves of the human figure to this angular environment is a mantel sculpture a robed Samurai that correlates scale to fluid motion, reiterating the movement of the wind on water, where golfers tee off on the Dye Course No. 1 hole, where a tundra swan paddles the lake in the warm months, and where Roberta says they have seen blue herons, egrets, ibis and cormorants fish throughout the seasons.

With the salon doors open, metal sculptures by local artists Michael Van Hout and Anne Cunningham lead the eye to the gallery hall that is the Wilsons private suite in the adjoining wing.

Roberta says she loves the bedroom, the architect-designed furnishings and the glass doors that slide open to the adjacent deck, pool and hot tub, which the couple frequently uses in the evening. "Its like a nest," Roberta says. "And I love my kitchen. Its the best kitchen Ive ever had as far as working in it, and the view."

John agrees, "I just love the openness and the light, and being in this environment with nature all around."

For the architect, it is one of his favorite projects. "I like it because there are just a few simple key ideas, and theyre carried throughout," Kersting says. "Its open but its private at the same time. Theres a lot of restraint here, but its still very complex."

Creating a Home of Distinction

These contractors helped make it happen

Homeowners: John and Roberta Wilson

Architect: Michael Ross Kersting Architecture

Building Contractor: David Lennard Builders

Interior Designers: Michael Ross Kersting Architecture, Suzanne Reid at T. Williamson Interiors

Landscape Architect: Pamela Kersting

Landscaping: Classic Landscapes

Furnishings: Suzanne Reid at T. Williamson

Original Art: New Elements Gallery, Spectrum Gallery

Appliances: Atlantic Appliances, Sears

Kitchen Designer: Michael Ross Kersting Architecture

Cabinet Mfg/Installer: Kitchen, Master Bath/Closet, Family Room, Den/Library: Flatsat Custom Woodwork

Countertops/Backsplash/Installer: American Granite & Stone

Plumbing: Intracoastal Plumbing

Plumbing Fixtures: Ferguson Enterprises, Inc.

Bath Fixtures/Hardware: Bird Decorative Hardware

Electrician: Kesco Electric, Inc.

Lighting: Coastal Lighting

Hardwood Supplier/Installer: Ed Newsomes Hardwood Floors, Inc.

Wood Floor Finish: Sandys Floor Service, Inc.

Specialty Woods: FitzGerald Wood Products

Tile Supplier: Tuscany Tile & Design

Tile Installer: Trevi Installation

Blinds/Closets: Wilmington Blind, Shutter & Closet

Painting: Rodney Williams Painting

HVAC: Home Energy, Inc.

Pavement/Driveway: Trifoli Enterprises

Pools/Spas: Master Pools of Wilmington, Tarheel Pools & Spas

Fireplace: SPARK Modern Fires, Rock Tops, Inc.

Specialty Glass: Carolina Shower Door, Inc.

Sealed Crawlspace: Crawlspace Concepts

Spray Foam Insulation: FoamInsulation.Biz, Inc.

Propane: Diversified Energy

Roofing: Highland Roofing


Copyright 2020 Wrightsville Beach Magazine. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


 Email this to a friend    Printable version
There aren't any related headlines for the moment.

Wrightsville Beach Magazine  |  910.256.6569  |  P.O. Box 1110, Wrightsville Beach, NC  | Wilmington Website Design by Port City Digital